I also design posters and advertisements, make digital games accessible to the visually impaired, manage crowdfunding projects, create brand identities and marketing plans, and very occassionally write things.
Layout / Design
Art Direction
Project Management
Crowdfunding
Brand Identity
PDF Remediation
Marketing / Social Media
+ consultation for all above
2019
2019
2020
2020
2022
2022
2022
2022
2022
2022
2023
2023
2023
2023
2024
2024
2024
The Demon Collective, Vol. 1
Magical Industrial Revolution
Libreté + Fleur Du Mall
Lorn Song of the Bachelor
ALIEN The Roleplaying Game
ARCventure Series
BX: A Cipher Universe
Gangs of Titan City
The Monster Overhaul
Old School Essentials
Eat the Reich
Moonlight on Roseville Beach
Social Media Management
Throne of Avarice
Cairn 2E Boxed Set
INEVITABLE
MOTHERSHIP 1E Deluxe Set
GMDK
Skerples
GMDK
Exalted Funeral
Free League Publishing
Exalted Funeral
Dreamyard NYC
SoulMuppet Publishing
Skerples
Necrotic Gnome
Rowan, Rook, & Deckard
R. Rook Studio
Space Penguin Ink
SoulMuppet Publishing
Space Penguin Ink
SoulMuppet Publishing
Tuesday Knight Games
Project Management
Crowdfunding
Project Management
Layout / Design
PDF Remediation
Layout / Design
Layout / Design
Layout / Design
Crowdfunding
PDF Remediation
PDF Remediation
Layout / Design
Marketing / Social Media
Layout / Design
Marketing / Social Media
Layout / Design
PDF Remediation
A6 softcover, 30pp and 34pp
ISBN 978-1-735-60564-7
2022 and 2024
Ferrous Escargot is a tabletop game supplement that gives players all the tools they need to run a campaign inspired by pulp WW2 action media like Metal Slug. Tasked with designing logos and covers for both the initial book and its expanded edition, I took inspiration from video game and anime logos of the early 2000s.
Cover art was created by combining and editing various WW2 propaganda posters together to create images of explosive action, steadfast heroes, and snail tanks. An alternate cover version of FE: DZZ came about as I was playing around with blend modes and found something that, when combined with a piece of public-domain war art I found, was suitably reminiscent of the work of Yoji Shinkawa, an artist I have always had a great respect and fondness for.
Written by Sean Richer.
Cover and Logo Design by Dai Shugars.